In the tradition of classic Gothic novels, Villa Melania is a gripping journey into the heart of a family marked by a mysterious death. An absorbing family saga that evokes another era in a truly beautiful way.
“It is possible that we are all a little cracked inside, that no one has kept intact the moon of the mirror in which we contemplated ourselves as children.
In Villa Melania there is a room full of broken mirrors and tragic memories. In the stately mansion of the Lanuza Vega family, with its meadow of marigolds and its old jacaranda plants, the ghosts of several lives stroll around on the night of the eve of Epiphany in 1966, whose echoes will resound deafeningly on the same day in 2019. The portrait of Melania, the beautiful and damaged Melania, still presides over the house so many years later. Her footsteps are heard on floorboards and stairs; they look for that person capable of hearing objects tell their stories. Those stories that neither Melania’s sisters nor her brother-in-law want to tell; those stories that Camila, her great-niece, will discover too late; those stories that only Cloe, Camila’s sister, will know how to listen to and understand.
Death, melancholy, illness, but also jealousy, envy, pain and fear lurk in those broken mirrors that reflect the past and the present of those who once lived in that house. There is only one way to mend the broken moons and broken lives: to talk, because “by keeping silent we bury our dead a little deeper”.
In Villa Melania, Desirée Ruiz once again masterfully traverses the territories of madness and family ghosts visited by Charlotte Brontë, Henry James, Jean Rhys and Carmen Laforet, where suspense and poetry go hand in hand.